It’s to Quique’s credit that he didn’t conform very well to late ’80s/early ’90s gringo independent-comic expectations; the first dozen or so pages of this 1991 collaboration with writer Alan Grant [originally serialized in Toxic magazine] are pretty uninspired stuff, a derivative hodge-podge of tropes and action that played more to Grant’s strengths than Quique’s — albeit with a delightfully anti-clerical tone that’s always fun. The lackluster results are especially odd when you consider that Quique redrew the original 50 color pages, apparently lost in Toxic‘s collapse, as a 48-page B&W album for Comiqueando Press in 1998. But then ….



…. the Alcatena we know and love takes over for a bit, filling pages with some of his trademark showstopper character designs and vignettes.


This Beauty & The Splinter Beast thing’s got one sweet cellular telephone, I must admit:


I wasn’t sure if this book was worth covering — I obviously don’t have much to say about it, there’s just not a whole lot here for Alcatena fans to get excited about — and then I saw page 28:


That’s right — BLACK KINGPIN MOTHERFUCKERS. Who would have thought the pinstriped slacks were such a key to the character’s design?

The introduction to this book says that Grant wrote a Makabre sequel, of which Quique only drew one chapter before the project was orphaned by its publisher. He presumably finished Metallum Terra [which I'll begin examining next week] in its stead, so we all win.

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